Peter Scott

Selected Exhibitions
2020
"After the Plaster Foundation", Queens Museum (upcoming)
"The Wooster Group", November 8, 2019 - February 16, 2020, (curatorial project)

2019
"Social Photography VII", July 9 -September 22, 2019 (curatorial project)
"One More - Billy Wasn’t Crying." Original Social Media Cartoons from The New Yorker , July 30 - September 22, 2019 (curatorial project)
"The Village", April 4 - May 12, 2019 (curatorial project)
"Future City", The Suburban, Milwaukee, WI, December 2 - February 10, 2019
(one-person)

2018
"Front International, An American City: Eleven Cultural Exercises"
Cleveland, Ohio, July 14 - September 30, 2018
"The Earth is Flat.", carriage trade, April 12 - June 10, 2018 (curatorial project)
"Peter Scott:Arcadias", Magenta Plains, NY, NY, February 18–March 25 2018, (one-person)
"Picture City III", carriage trade, November 2 - February 11, 2018 (curatorial project)
"UNTITLED (MONOCHROME)", 1957-2017, Richard Taittinger Gallery, March 1-April 26, 2018

2017
"White Covers, Frédéric de Goldschmidt Collection", Brussels, Belgium,
December 2, 2017 - May 5, 2018
"AMERICAN INTERIOR', carriage trade, April 27 - June 18, 2017 (curatorial project)
"Plein écran", La Station, Nice, November 30 February 25, 2017
"Dimensions Variables, Artists and Architecture", Maat Museum, Lisbon, Portugal

2016
"Xerox", Société , Brussels, Belgium, September 9 - November 13, 2016
"recap: thirty years of momenta art", Momenta Art, Brooklyn, NY
September 9 - October 30, 2016
"Picture City II," Emily Harvey Foundation, NY, NY, May 2016 (one-person)
"Variable Dimensions, Artists and Architecture," Emily Harvey Foundation, NY, NY
"Simon Linke", carriage trade, Volta Art Fair, March, 2016 (curatorial project)

2015
"Dimensions Variables, Artists and Architecture," PAVILLON DE L'ARSENAL, Paris, France
"Picture City", Ventana 244, Brooklyn, NY, April 2 – May 9, 2015 (one-person)
"Organic Situation," Koenig and Clinton, NY, NY, July 16–August 21, 2015

2014
"Cutting Through the Suburbs," carriage trade at UNTITLED Art Fair, Miami, Fl.
"Social Photography IV," Emily Harvey Foundation (curatorial project), NY, NY
"Cutting Through the Suburbs," April 5 - May 25, 2014, carriage trade (curatorial project), NY, NY

2013
"Here Comes Your Neighborhood," Rectangle, Brussels, Belgium (one-person)
"No Place Like You," June 20 - August 2, 2013, Martos Gallery, NY, NY (one-person)
"Monkey Business," April 6 - May 25, Galerie Sophie Scheidecker, Paris, curated by Gregory Lang and Sophie Scheidecker, Paris, France
"A LA CARTE, MINIMAL ART," Shoot the Lobster @ Odessa Bar, NY, NY
"The Pathos of Things," March 19 - May 19, 2013, carriage trade (curatorial project), NY, NY

2012
"Pardon Our Disappearance, Part One," September 12 -October 19,2012, 3A Gallery, NY, NY (one-person)
"Pardon Our Disappearance, Part Two," September 19-October 30, Sometimes (works of art), NY, NY (one-person)
"The Nature of Disappearance," June 28 - August 10, 2012, Marianne Boesky Gallery, curated by Dieter Buchhart
"Family Portrait," October 19 - December 9, 2012, carriage trade (curatorial project), NY, NY
"Archival Portraits," June 29 - July 29, 2012, carriage trade (curatorial project), NY, NY
"Broken Homes," December 9th - January 22, Momenta Art, Brooklyn, NY
"Color Photographs from the New Deal (1939-1943)," March 22- May 20, 2012, carriage trade (curatorial project), NY, NY

2011
"J. Pasila /Peter Scott," June 3 - June 19, 2011, Momenta Art, Brooklyn, NY (two-person)
"Signs on the Road," Winkleman Gallery, March 25 - April 30, 621 West 27th Street, NY,
curated by Workroom G (Leslie Brack, Michael Ashkin, Josh Geldzahler)
"Social Photography II," carriage trade (curatorial project), NY, NY
"POP Patriotism 2002," September 22 – November 13, 2011, carriage trade (curatorial project), NY, NY
"PICTURE NO PICTURE," April 28 - June 12, 2011, carriage trade (curatorial project), NY, NY

2010
“The Art of Captivity: Part One,” curated by Leonard Cassuto, Fordham University’s Center Gallery
“Alternative Histories,” Exit Art, New York, NY
“Another Green World,” September 22 - November 28, carriage trade (curatorial project), NY, NY
“Mistaken Identity,” carriage trade (curatorial project), NY, NY

2009
“Market Forces,” Galerie Erna Hecey, Brussels, Belgium

2008
“Market Forces, Part 1: Consuming Territories,” carriage trade, New York, NY
“Dreaming America,” curated by Kenneth Pietrobono, Less Than Three Gallery, Long Island City, NY

2007
“Home,” VOORKAMER, Lier Belgium(installation)
“The Most Curatorial Biennial of the Universe,” Apex Art, New York, NY
“Crater New York” curated by Ligorano and Reese, Location One, New York, NY
“Home,” curated by Peter Morrens & Rik De Boe, VOORKAMER, Lier Belgium

2006
“The Message is the Medium,” curated by Marshall Reese, Jim Kepmner Fine Art, New York, NY

2005
“Off the Wall,” curated by Tracy Adler, Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York, NY
“Anthology of Art,” curated by Jochen Gerz, Akademie der Künst, Berlin, Germany, ZKM Center for Art and Media (Zentrum für Kunst und Medientechnologie), Karlsruhe, Germany

2004
“Suspect,” Lower East Side Tenement Museum, New York, NY, (one-person)
“Closed Universe,” curated by Corinne Enquist Zagreb, Pavilon, Zagreb, Croatia
“Watch What We Say,” curated by Marc Lepson, Schroeder Romero, Brooklyn, NY
“Open House: Working in Brooklyn,” curated by Charlotta Kotick and Tumelo Mosaka, Brooklyn Museum of Art, Brooklyn, NY
“Repulsion,” curated by Heidi Schlatter, University Galleries, Ilinois State University, Normal, Illinois

2003
“Mirrors,” Schroeder Romero, Brooklyn, NY, (one-person)

2002
“Pop Patriotism,” Momenta Art, Brooklyn, NY

2000
“Insites:Interior Spaces in Contemporary Art,” Whitney Museum of American Art at Champion, Stamford, Conn.
“Nobodies Home,” Kunstbunker, Nurrnburg, Germany

1997
Momenta Art, Brooklyn, NY, (one-person)

1999
“Gathering Information-Photography and the Media,” Photographic Resource Center, Boston, Mass.
“Go Figure,” Clifford -Smith Gallery, Boston, Mass.
“Parking,” Highbridge Park, New York, NY
“Nobodies Home,” Momenta Art, Brooklyn, NY

1993
Galerie Rizzo, Paris, France, (one-person)

1991
De Lege Ruimte, Brugge, Belgium, (one-person)

1990
White Columns, New York, NY, (one-person)
Riverside Studios, London, England, (two person)

Curatorial

2008 - present carriage trade, NY, NY
2009 “Market Forces,” May 28, 2009 - August 8, 2009 (Galerie Erna Hecey)
2008 “The Cult of Personality Portraits and Mass Culture,” (Galerie Erna Hecey)
2005 “Out of Place”, UBS Art Gallery, NY, NY
2002 “Pop Patriotism”, Momenta Art, Brooklyn, NY
2000 “Nobodies Home”, Kunstbunker, Nurnburg, Germany
1999 “Nobodies Home”, Momenta Art, Brooklyn, NY

Grants

2003
New York Foundation for the Arts, Artists Fellowship

1999
New York Foundation for the Arts, Artists Fellowship

1996
MacDowell Colony, Artist-in-Residence

Essays
2016
“High Line Picturesque”, Plot Online, 2016

2014
“Tear Down on 53rd Street”, Brooklyn Rail, March 4, 2014
“Wanted but Undesired: Andy Warhol at the 1964 World’s Fair”, Queens Museum, Art Critical, July 9,
2014

2013
“AN INTERVIEW WITH HENRY CODAX”, Grey Magazine, March 19, 2013
“Olivier Mosset”, Grey Magazine, Issue IX, 2013

2010
“Mistaken Identity,” exhibition catalogue, carriage trade

2009
“Dan Graham,” Whitney Retrospective, Art Monthly
"Big Box Reuse," review of Julia Christensen’s book, NYFA Current, January
"Bread and Circuses," Art Monthly, Dec/Jan

2008
“The Cult of Personality: Portraits and Mass Culture," catalogue text, Erna Hecey Gallery, Brussels, Belgium
“Market Forces,” catalogue text, carriage trade, New York, NY

2007
“Tourism and Everyday Life,” catalogue essay, Anna Kleberg, Uppsalla Konstmuseum, Sweden

2005
“Out of Place,” catalogue text, UBS Art Gallery New York, NY

2004
“Tall Buildings at MoMa Queens,” ArtUS, Dec/Jan

2002
“POP Patriotism,” catalogue text, Momenta Art, Brooklyn, NY
“A Short Recent History of the York Knicks or How the Media Stopped Worrying and Learned to Love Latrell Sprewell,” Made in U.S.A., Summer-Autumn

2001
“Nobodies Home,” catalogue essay

Criticism

Art Monthly, Zing Magazine, Art US, The Architect’s Newspaper,
NYFA Current, Artscribe Magazine (Amsterdam, Holland correspondent)

Selected Catalogues, Publications and Reviews

2016
"Dimensions Variables, Artists and Architecture" (catalog) curated by Didier Gourvennec Ogor and
Gregory Lang, with contributions by:Liliana Albertazzi, Sarina Basta & Nils Norman, Gulbenkian
Lorenzo Benedetti, Marc Donnadieu, Pedro Gadanho, Hou Hanru, Hans Ulrich Obrist, Sébastien Pluot,
Jean-Louis Poitevin, Chantal Pontbriand, Dieter Roelstraete, Sabrina van der Ley, Jeanette Zwingenberger
“Architecture and art: same struggle”, By Béatrice De Rochebouet, 01/01/2016 , Le Figaro
“Trend Spotting at Volta NY, the City’s Most Diverse Art Fair”, By Paul Laster ,03/04/16, The Observer

2015
This Week’s Must-see Art Events: Authenticity as Commodity, by Michael Anthony Farley and Corinna
Kirsch on July 13, 2015, ARTFCITY
9 Things to Do in New York’s Art World Before July 17, By Paul Laster,07/13/15, The Observer

2014
These Artworks Rebelling Against American Suburbia Are More Relevant Than Ever May 7, 2014
Priscilla Frank, The Huffington Post
Cutting Through the Suburbs May 18, 2014 Siobhan Bohnacker, The New Yorker
On View> Exhibit in Tribeca Brings Back the 20th Century Suburb (Extended!) May 15, 2014, Bill
Menking, The Architect’s Newspaper
The Failures of 1970’s Suburban Life April 9, 2014Ryan J. Simons, Hyperallergic
From Art Show to Art Book, February 11, 2014 Calvin Reid, PWxyz

2013
The Promise of the Image March 25, 2013 Noah Dillon, Art Slant
“Family Portrait” at the Carriage Trade Gallery October 22, 2012 Art Media Agency

2012
“The New Deal in Color,” April 24, 2012, The New Yorker
“Color Photographs From The New Deal (1939-1943),” March 30, 2012, TIME LightBox
“Color Photographs From The New Deal (1939-1943),” March 23, 2012, Huffington Post
“At Carriage Trade Gallery, Color Photos from a Black-and-White Era,” April 2, 2012, Bonnie Yochelson, Tribeca Trib
“Color Photographs from the WPA (1939-1943),” March 23, 2012, Natalie Marcoux, Village Voice
“Henry Codax à Paris,” March 15, 2012, Greg Allen, greg.org
“Auction-house opacity datapoint of the day,” March 13, 2012, Felix Salmon, Reuters
“Speculation,” March 12, 2012, Greg Allen, greg.org
“Henry Codax At Auction,” March 4, 2012, Greg Allen, greg.org

2011
“Recapping 2011 January 10-16,” 2012, Ed Barnas, The New York Photo Review
“Cell Phone Photography: Is It Art?” December 21, 2011 by Marina Galperina, The New York Photo Review
“Cell Phone Photos Become Art in New TriBeCa Show,” December 13, 2011, by Julie Shapiro, DNAinfo
“Cell Phone Photo Exhibit Elevates Mobile Art,” December 15, 2011 by Margaret Rock, Mobiledia
“A Tribeca Gallery Shows an Artist Who May Not Exist,” July 18, 2011 by Andrew Russeth in the New York Observer
“Mystery Artist Delivers Minimalist Art to Carriage Trade Gallery,” July 2011 by Marissa Bienstock in the Downtown Magazine NYC
“On Jacob Kassay And Collaboration,” August 12, 2011 by Greg Allen on greg.org
“PICTURE NO PICTURE,” AGMA Magazine, Summer 2011

2010
“Stephen Maine on Carriage Trade's Another Green World,” NYFA Current, 9/30/10
“Mistaken Identity,” The New Yorker, 5/20/10
“Mistaken Identity,” exhibition catalogue, carriage trade
“The Art of Captivity,” catalogue, Fordham University, New York, NY
“Restricted Spaces: Interview with Leonard Cassuto,” IDIOM, 10/5/10

2008
Hoggard, Barry. “Thursday night awesomeness in Soho,” bloggy.com, 2/27/08
Wagner, James. “The Cult of Personality at Carriage Trade,” jameswagner.com , 3/1/08
Kalm, James. “The Cult of Personality at CARRIAGE TRADE,” Artreview, 3/16/08
Amir, Yaelle. “Portraits and Mass Culture,” Artslant, 4/16/08
Lambert, Olympia. “Market Forces: Consuming Territories,” Artcat, 5/22/08
“Death of Venice? Tribeca’s Democratic Biennial,” NY Resident Magazine

2007
Schoeters, Sarah. “The True Heart Lies at Home,” Nieuwsblad.Be, 4/7/07

2006
“The Best Surprise Is No Surprise,” e-flux, JRP|Ringier
Wagner, James. “political art, some in very popular, editions, at Jim Kempner,” jameswagner.com, 10/4/06, http://jameswagner.com/mt_archives/005834.html
Sillman, Ron. “The Medium is the Message,” http://ronsilliman.blogspot.com/2006_09_01_archive.html

2005
Gluek, Grace. “Off the Wall,” Art in Review, New York Times, 9/30/05
Carel, Sari. “Off the Wall,” Artforum.com, 9/23/05
“Off the Wall,” catalogue, text by Tracy Adler
“Momenta Art: 1999 to 2004,” catalogue, text by Calvin Reid
Weinstein, Andrew. “Peter Scott/ Schroeder Romero,” Zing Magazine
“Out of Place,” Goings on about Town, The New Yorker, 5/23/05
Budick, Ariela. “Exploring Urban Spaces: Mystery and Mean Beauty,” New York Newsday, 4/15/05
“Out of Place,” catalogue, UBS Art Gallery, New York, NY
“Out of Place,” Hartford Courant, 5/8/05

2004
Allen, Jane Ingram. “Expanding Space/Engaging Viewers: Mirrors and Reflective Materials in Contemporary Sculpture,” Sculpture Magazine, 11/04
“Closed Universe,” catalogue, text by Corrine Enquist
Pavillion 19, Zagreb Cloatia
Maine, Stephen. “Rewards and disappointments in "Open House: Working in by Brooklyn,” Dateline Brooklyn, Artnet.com, 5/26/04
“Open House: Working in Brooklyn,” (catalogue) Brooklyn Museum
“Brooklyn's Williamsburg Comes of Age,” CNN.com, April 13, 2004
“Open House: Working in Brooklyn, Brooklyn Museum,” Goings on About Town, New Yorker
“Repulsion,” catalogue texts by Lia Gangitano and Heidi Schlatter
The Paper, (Champagne-Urbana, Illinois)
Childers, Lindsay. “Repulsion,” February 6, 2004

2003
Pearson, Erica. Public Art Review “Points of Entry,” Lower East Side Tenement Museum, Fall 2003
Maine, Stephen. “Dateline Brooklyn,” Artnet.com, October, 2003
McQuaid, Cate. “High Art Nourished on Low Rent,” Boston Globe, October 12, 2003
Pasquini, Stefano. “It’s Good To Be Back,” NY Arts Magazine
“Focus Group,” Brooklyn Rail, Summer, 2003
“Focus Group,”Star Tribune, Minneapolis, Minnesota, August, 2003

2002
Schwendener, Martha. “POP Patriotism, Momenta Art,” Artforum.com
Rudick, Nicole. “In Brooklyn, From Burquas to Bruce Lee, POP Patriotism at Momenta Art,” The Thing.net, September 27, 2002
“POP Patriotism,” Flavorpill.com, September, 2002
Johnson, Ken. “Pop Patriotism,” New York Times, September 17, 2002
“POP Patriotism,” catalogue essay, 2002

Teaching

2011
New York University, NY, NY
Drawing and Visualization

2009/10
Parsons School of Design NY, NY
Critical Reading and Writing, Global Issues

New York University, NY, NY
Drawing and Visualization

2008
Parsons School of Design NY,NY
Critical Reading and Writing

New York University, NY, NY
Drawing and Visualization

2007
New York University, NY, NY
Drawing and Visualization

School of Visual Arts, NY, NY (Guest Critic)

New York Institute of Technology, School of Architecture, New York, NY and Old Westbury, NY
Drawing and Visualization

2006
New York University, NY, NY
Drawing and Visualization

School of Visual Arts, NY, NY (Guest Critic)

New York Institute of Technology, School of Architecture, New York, NY
Drawing and Visualization

2005
New York Institute of Technology, School of Architecture, Old Westbury, NY
Drawing and Visualization

2004
New School, NY, NY
Beginning Drawing

New York Institute of Technology, School of Architecture, Central Islip, NY
Drawing and Visualization

2003
New School, NY, NY
Beginning Drawing

New York Institute of Technology, School of Architecture, Central Islip, NY
Drawing and Visualization

2002
New York Institute of Technology, School of Architecture, Central Islip, NY
Drawing and Visualization

New York University, NY, NY
Beginning Drawing (guest instructor)